“They all lived in a kind of hieroglyphic world. The real thing was never said or done or even thought, but only represented by a set of arbitrary signs. Archer knew these signs. They were not subtle and were not meant to be. They were more than a simple snubbing. They were an eradication.”
不可否认，男主是个渣男，但是感情就是这种说不明白的东西
情节一般，拍摄手法很老气，时不时的旁白很容易让人出戏。最好的是艺术指导，置景、服装是绝对的高级。
摄影牛逼 薇诺娜太美
理性、克制和纯真。
“They all lived in a kind of hieroglyphic world. The real thing was never said or done or even thought, but only represented by a set of arbitrary signs. Archer knew these signs. They were not subtle and were not meant to be. They were more than a simple snubbing. They were an eradication.”
不时切入表现食物和装潢镜头的碎片化剪辑+大量解释情节背景的画外音让我真的接受无能...形式本可以更古典...
其实题材跟风格不是我的口味，五星给原作故事和ddl。故事本身并不新鲜，胜在合情合理不洒狗血，是性格、经历与环境造就的必然的悲剧。在类似题材电影中本片对节奏、氛围以及留白的把控都属一流，将那种含蓄压抑的暗流涌动表现得极其到位，台词也写得相当好，简练清晰、一针见血，不愧是小说改编，也理解了为什么这部小说能多次被搬上荧幕。这里的ddl太俊了，眼里永恒地闪动着的泪光，好完美地凹陷着的脸颊，好优雅的声音（老年版还压低了声音——此处夸下敬业——但优雅不变），不过纽伦其人其实没啥意思。艾伦极具人格魅力，梅表面傻白甜实际惊人地敏锐，但内在仍然是圣母心。从梅宣布怀孕时那模棱两可的说法，就几乎确定她从一开始就对一切清清楚楚，结局果然验证了这一点；结合之后的旁白，所谓的纯真年代大概从来就不曾存在。
2023.10.05. Netflix资源。整整三十年前的电影，老马那些各种穿梭于宴会派对餐桌的镜头、室内外日与夜对光影的运用，简直神了！服装和美术是美轮美奂、无可挑剔的，怎么说呢，随便一个镜头下人物背后墙上挂的画、手里拿的烟盒、刀叉下的盘碟，都是精挑细选的。老马还有很多镜头就单纯的拍油画、食物、书信，太美了，整个电影精致的宛如一件艺术品。DDL、菲佛和Winona Ryder三位的银幕魅力可以说真让人叹为观止，菲佛美丽又危险、Ryder看似单纯实则深藏不露、而彼时已拿下第一座奥斯卡的演技大神DDL更是把Newland在欲望与克制间时刻游走的撕裂感拿捏的恰到好处。Newland与Allen最后一次长谈后分别时的画面配了一首Enya的“Marble Halls”，听的人心碎。珍贵佳作。
7
所谓礼俗对人施加的的确是最幽微也是最残忍的暴力
意料之外的结局