简介：贝特朗·波尼洛取名于海明威名著的新片《流动的盛宴》（Paris est une fête）正在巴黎新桥一端废弃十年之久的商场Samaritaine内部取景拍摄，电影讲述了一群年轻的反抗分子白天在巴黎各贝特朗·波尼洛取名于海明威名著的新片《流动的盛宴》（Paris est une fête）正在巴黎新桥一端废弃十年之久的商场Samaritaine内部取景拍摄，电影讲述了一群年轻的反抗分子白天在巴黎各大标志性地点放置炸弹，夜晚躲藏于百货商场寻求庇护的故事，导演把自己的这第七部长片形容成是“静止的西部片”。详情
主演：Fernando Baleroni,Nhá Barbina,Nena Batista,Bina Bergamo,Isaura Bruno,Zulmira Ribeiro da Silva,Dora Machado de Campos,Zezinho de Lima,Vicente de Paula Neto,Walter Forster,Italo Izzo,Vicente Leporace,Machadinho,Marisa,Nilo,Solon Sales,Lyda Sanders,Homero Silva,Tinoco,Tonico
I don't think I'm supposed to like this. I dig films rich in themes and ideology yet this deliberately avoids this; and by avoidance it showcases the ideological desert in this postmodern time, a capitalist realism where violent actions are carried out by youths well versed in composing formulaic political essays posed as radical but actually co-oped by institutional hegemony. There is no real revolution except being crushed as state enemy in cold blood. But that's not new. The film doesn't have anything new to say. Yet I thoroughly enjoy the slick look, meticulous choreography, composition and motif, a pacing like a suspense genre film. It's also just consumerism really.
22/2/18
影片花大篇幅以samaritaine百货为背景告诉我们，就像轧朋友一样，不先和资本主义恋爱，然后大闹一场的话，是看不清它的！
感觉这个故事太超前了，观点/倾向引发的恐怖袭击尚且有太多话题可讲，它已经进入年轻人的空虚驱动模式了。
I don't think I'm supposed to like this. I dig films rich in themes and ideology yet this deliberately avoids this; and by avoidance it showcases the ideological desert in this postmodern time, a capitalist realism where violent actions are carried out by youths well versed in composing formulaic political essays posed as radical but actually co-oped by institutional hegemony. There is no real revolution except being crushed as state enemy in cold blood. But that's not new. The film doesn't have anything new to say. Yet I thoroughly enjoy the slick look, meticulous choreography, composition and motif, a pacing like a suspense genre film. It's also just consumerism really.
naive的terrorist以为自己是revolutionary，在violence machine面前一下就暴露了cowardice的teenager本色，小孩子不满权力的现状，却又迷失在玩具和性爱中，世界是陷进组成的美梦，投降也是被绞杀的命运
片子前半部分没有构建起对这些人的理解或共情，后半部分只看着他们机械死去。感觉片子想表达的很多，阶级种族宗教，但是没有好好展开。他们也困在了这样的“空间”。 w/z
前二十分钟特别nouveau roman，城市化身纵横交错的迷宫，时间刻度的跳动仿佛某种要通往夜的秘密的倒计时，而携带各色面孔的人们不知目的，只剩下游荡的节奏和动作，他们究竟要奔赴怎样一场盛宴？
革命青年陷入消费主义就死翘翘了
为了政治正确而拒绝这部电影真是丢脸
属于黑夜的灵魂们。真的目瞪口呆，白天通过带有错位的同步进行着一场反影像逻辑的逃逸与破坏，夜晚则在仿生的王国陷入消费主义大梦，结尾特警的屠戮实为空间的反击，是空间杀死了所有人！
过于虚无....也不知是不是恰恰反映了欧洲才俊们的虚无现状