导演:弗雷德里克·怀斯曼
主演:Eugene Friedman Stanley Friedman Robert Schwartz
简介:HOSPITAL shows the daily activities of a large urban hospital with the emphasis on the emergency war
HOSPITAL shows the daily activities of a large urban hospital with the emphasis on the emergency ward and outpatient clinics. The cases depicted illustrate how medical expertise, availability of resources, organizational considerations, and the nature of communication among the staff and patients affect the delivery of appropriate health care.
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7.0 怀斯曼的这批展现社会机构的纪录片真是难以置信地发挥稳定且都在水准之上...多看几部之后会发现他那透过镜头的冷静观察其实非常有戏剧性,这种戏剧张力不仅存在于镜前事件本身(吸毒者、呕吐小哥、临终之人...),又同时存在于摄影机自发的对视觉兴奋点的搜寻之中。他太会在固定的场所里寻找和捕捉能够承载意义的影像了~
妈呀 傻白男大学生的white middle class problem太搞笑了 学什么艺术啊 might as well just get a 敲电脑 job wiseman不搞interview,narration真是太对了 shit like this speaks for itself
宗教感,宿命感,惊天一吐,以及医生们在这种环境中赖以生存的可敬的冷漠。居然想到了基耶斯洛夫斯基的电影(然后发现基氏也拍过一部关于医院的纪录片)。
2017.2.8 @MFA
0317
The reason why all the protagonists in Wiseman's films could arouse people's extreme emotion is its huge sympathy on individuals who are undergoing man-made disasters and social pressure
怀斯曼是极少数我会嫌其电影不够长的导演。反映大都会黑人贫民现状,开膛/尸检课等实拍适度提神不过主题还是社保、老幼养护。急症室一堆嗑高喝高的,科学地直接配备心理症室。印象最深的是个难看的未成年黑人trans争取补助金的事
天地不仁,百姓刍狗。颠倒妄想,攀援病本。经曰:是身无常、无强、无力、无坚,速朽之法,不可信也。为苦为恼,众病所集。又,是身不净,秽恶充满;是身为虚伪,虽假以澡浴衣食,必归磨灭;是身为灾,百一病恼;是身如邱井,为老所逼;是身无定,为要当死;是身如毒蛇如怨贼如空聚,阴界诸入所共合成